Mossad: We Write the Screenplay, We’re the Directors, Producers & The Main Actors
I thought the Epstein B(l)inder episode would be swiftly followed by the Dead Pope Society episode.
I was wrong.
It seems the Grim Reaper hasn’t clawed up the Pope yet. Or maybe he has and that episode just hasn’t been released yet.
Certainly, it won’t be as exciting as the most recent cliffhanger filmed at the White House theater by the Global(ist) Production Company:
“Orange Man shouts at Cocaine Man in front of Moonface Man for not saying ‘thank you’ for the gazillion dollars in snort money he got for his ROLE in protecting the Khazar Mafia and genociding mostly white Christian men in Ukraine and Russia.”
Swamp Scripts Ltd. continues to rise to the occasion with new episodes of the ‘Most Transparent Administration in History’.
Written, produced and directed by Actors Anonymous, featuring satanic space alien overlords that want to kill everyone… acting as Khazarians… acting as jews… backed by the zionist supporting cast.
Oh and by the way, Donald Trump was wrong. Zelensky did say thank you, “33” times!
Or maybe he said it to the “33” leaders who support him.
Speaking of “33”, that happens to be my overall metabolic age since I started using the TZLA Machine a year ago. As well as now having the energy levels of a 10-year-old! Which helps when making feature film-length videos like this one and keeping up with Apples and my mini Ranchero.
And, unlike the Oscar-winning pedowood actors and celeb-tards with Ozempic-face and Adrenochrome-breath, I don’t really work off a script at all.
I mean, who needs a script when you’re this spoiled for captivating characters, complex and intertwined storylines, and dramatic plot twists, like:
Elon Musk, whose nanny says he tried to sacrifice her to his demon friends when he was little.
And, RFK, who has gone completely quiet on Covaids jabs, but has become a champion for banning anti-semitism and enforcing measles vaccines.
Of course, NONE OF IT IS REAL! Which makes this a work of satirical fiction. Any resemblance to real places or situations is purely coincidental and exaggerated for comedic effect. The story intentionally contains factual inaccuracies and absurdities as part of its artistic expression.
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